ModelCalcs.uk
Photo Setup Calculator — Model Photography Guide
Calculate backdrop size, camera distance and lighting angles for model photography.
How We Calculate This
Calculates camera working distance, backdrop (sweep) dimensions, key-light distance and tripod height from your model size and camera setup. Defaults follow standard product-photography practice: a backdrop 2–3× the subject size, a key light at 45° and the camera near the model's mid-line.
Formula
- Effective focal length = Lens mm × Crop factor (full frame 1×, APS-C 1.5×, Micro Four Thirds 2×)
- Camera distance = (Effective focal × Model length) ÷ (36 mm × Camera distance ratio) — using the full-frame width 36 mm with the crop-corrected focal is the same as using the real sensor width with the real focal length
- Backdrop width = Model length × Backdrop width multiplier (default 2.5× — keeps the edges outside the frame)
- Backdrop height = Model height × 3 + Model length × Backdrop height ratio
- Key light distance = Model length × Light distance multiplier (default 1.5×, positioned at 45°)
- Tripod height = Model height × Tripod height multiplier (default 1.5×, shooting near the mid-line)
The recommended f-stop (f/5.6 to f/16) is a quick convenience heuristic keyed on model size — larger models are stopped down for front-to-back sharpness, very small models open up because depth of field is already shallow at close working distances. Confirm against your camera's depth-of-field preview.
Frequently Asked Questions
A macro lens (60-100mm) is ideal for close-up model photography. A 50mm prime lens also works well for full-model shots. Avoid wide-angle lenses as they distort proportions. On APS-C cameras, a 35mm lens gives a similar field of view to a 50mm on full frame.
Use f/8 to f/11 for the best balance of depth of field and sharpness. Smaller models need wider apertures (f/5.6) as depth of field is already shallow at close distances. Larger models benefit from f/11 or f/16 to keep everything sharp.
Light grey is the most versatile backdrop colour, working with both light and dark subjects. White can cause exposure issues. Black works well for dramatic shots. Graduated backdrops (light at bottom to dark at top) give a professional look.
Use two lights: a key light at 45 degrees from above-left and a fill light at lower intensity from the right. A third light behind can create rim lighting. Diffuse all lights through white paper or softboxes to avoid harsh shadows. LED panels are excellent for model photography.
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Last updated: February 2026
All calculations are estimates. Always verify quantities before purchasing materials.